Latest Special Issue of Art & the Public Sphere: Public art and accountability: Whose art for whose city?

Dr Martin Zebracki & Dr Joni M Palmer are pleased to announce the latest interdisciplinary special issue on “Public art and accountability: Whose art for whose city?” in the new journal Art & the Public Sphere. This issue might be of interest to those working at the crossroads of art, space, identity and social impact and inclusion. Please find the Table of Contents below.

 

Public art and accountability: Whose art for whose city?

Art & the Public Sphere

Volume 2, Issue 1-3 (2014; published as back issue)

ISSN: 2042793X; Online ISSN: 20427948

http://www.intellectbooks.co.uk/journals/view-issue,id=2730

 

Guest Editors: Martin Zebracki and Joni M Palmer

 

Table of Contents

 

Public art and accountability: Whose art for whose city?

Martin Zebracki (University of Leeds) and Joni M Palmer (University of New Mexico)

Volume 2, Issue 1-3, pp. 3-7

DOI: 10.1386/aps.2.1-3.3_2

http://www.intellectbooks.co.uk/journals/view-Article,id=18237

 

Charting public art – a quantitative and qualitative approach to understanding sustainable social influences of art in the public realm

Cameron Cartiere (Emily Carr University of Art + Design)

Volume 2, Issue 1-3, pp. 9-16

DOI: 10.1386/aps.2.1-3.9_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18243

 

Art-led regeneration in Margate: Learning from Moonbow Jakes Café and Lido Nightclub intervention

Loretta Lees (University of Leicester) and John McKiernan (independent arts professional)

Volume 2, Issue 1-3, pp. 17-35

DOI: 10.1386/aps.2.1-3.17_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18236

 

Owning the city: Civic art’s historical practice and contemporary meaning in Yangon

Ian Morley (Chinese University of Hong Kong)

Volume 2, Issue 1-3, pp. 37-47

10.1386/aps.2.1-3.37_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18238

 

Off with her head: The representation of women in public sculpture

Brigit Morris (University of New South Wales)

Volume 2, Issue 1-3, pp. 49-55

10.1386/aps.2.1-3.49_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18239

 

Can art turn two publics (and) spaces into one? Joubert Park versus the Johannesburg Art Gallery in the inner City of Johannesburg

Pauline Guinard (Ecole normale supérieure de Paris, UMR LAVUE – Laboratoire Mosaïques)

Volume 2, Issue 1-3, pp. 57-71

10.1386/aps.2.1-3.57_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18240

 

The consumption of communism: Changing representations of Statue Park Museum and Budapest

Paul Clements (Goldsmiths College)

Volume 2, Issue 1-3, pp. 73-86

10.1386/aps.2.1-3.73_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18241

 

Planning a suburban public artscape: The case of Mississauga, Canada

Alison Bain (York University) and Zainub Verjee (York University)

Volume 2, Issue 1-3, pp. 87-101

10.1386/aps.2.1-3.87_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18242

 

The Future of Toronto’s Nuit blanche

Gwen MacGregor (University of Toronto)

Volume 2, Issue 1-3, pp. 103-116

10.1386/aps.2.1-3.103_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18233

 

Just art, politics and publics: Researching geographies of public art and accountability

Martin Zebracki (University of Leeds and Wageningen University)

Volume 2, Issue 1-3, pp. 117-127

10.1386/aps.2.1-3.117_1

http://www.intellectbooks.co.uk/journals/view-Article,id=18234

 

Book reviews

Fiona Allen (University of Leeds); Benjamin Fallon (independent arts professional); Mark Hutchinson (independent artist); Gretchen Coombs (Queensland University of Technology)

Volume 2, Issue 1-3, pp. 129-150

10.1386/aps.2.1-3.129_5

http://www.intellectbooks.co.uk/journals/view-Article,id=18235